Tag Archives: Bob Clark

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Deathdream (1974)

THE PATIENTS

Director: Bob Clark
Writer: Alan Ormsby
Starring: Richard Backus, John Marley, Lynn Carlin, Anya Ormsby, Jane Daly, Mal Jones, Henderson Forsythe

THE PATHOLOGY

Can a mother’s love surmount the barrier between life and death? Christine Brooks (Lynn carlin) wishes her son Andy (Richard Backus), a soldier in Vietnam, would return home, and lo and behold he does. But Andy isn’t the pleasant, gregarious soul he was before the war. He stays alone in his room; he doesn’t eat or drink. He has an accelerating skin condition that he only just manages to hide from the others. Oh, and he has a thirst for human blood, the only thing that can arrest the decay that seems to be consuming him. The war has done something to Andy, something that can’t be undone. A mother’s love may not be enough to keep him from an overdue date with destiny and the cold, dark embrace of an overdue grave…

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THE PROGNOSIS

In the old days of late-night viewings and VHS rental shops, you may have encountered this film as any of the following: DEAD OF NIGHT, THE NIGHT ANDY CAME HOME, NIGHT WALK, and so on. These days, we’ve all settled on DEATHDREAM, and with this latest stunning release by the good folks at Blue Underground, the film – no matter what its title – should enjoy its rightful place in the annals of zombie and horror cinema as a watershed moment in the development of practical makeup effects as well as a deeply meaningful commentary on America’s problematic relationship with its own combat-scarred veterans.

Basically an extended riff on W.W. Jacobs’ classic 1902 short story, “The Monkey’s Paw,” DEATHDREAM is a far more effective chiller than its simple origins suggest. Not only is it a none-too-subtle commentary on the punishing psychological damage of war and the empty life that many Vietnam vets faced when returning home, but it’s also a very well-acted, eerie horror movie regardless of its strong socio-political statements. Andy (a tour de force performance by Backus) spends most of the film in a near-catatonic state, sleepwalking through a parody of his former life, presumably sustained in his present form only by the fervent wishes of his mother. When he does emerge long enough to exhibit any emotion, it’s a highlight of the film, from his slow burn as the mailman natters on (a delightfully annoying turn by Arthur Anderson), forcing him to explode in anger, to his delightfully sardonic repartee when responding to Bob (Michael Mazes) during the double date.

Everyone changes eventually.

There’s a barren quality to the film that echoes Andy’s own state of mind, as well as a great score by Carl Zittrer enhanced by a seething, goblin-like voice that whispers Andy’s name and a motif that sounds like a piano string being scraped, all of which add to the overwhelming sense of tension in the film. You can’t help but feel your skin crawl as the poor guy succumbs to his vampiric (yes, I admit that) Bathory- and MARTIN-esque hunger for blood. While Andy struggles with what he has become, only revealing the true depth of his turmoil in a few choice moments, like his brief conversation with the doomed Dr. Allman (Henderson Forsythe), his family barely holds their own fear and anger in check, and there are obviously plenty of issues that were there long before a re-animated Andy came home, especially between Andy and his father (John Marley, who will always be remembered as the foolish Hollywood producer, Jack Woltz, who dared to stand up to Don Vito Corleone at the beginning of the first GODFATHER and had the head of his prized horse put in his bed to teach him a lesson. Fun story: Marley thought this movie was about his character and not Andy!).

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For students of the zombie genre’s history that haven’t yet experienced DEATHDREAM, the film has some eye-opening connections to past and future horrors, such as POV shots of a house that look quite similar to those in John Carpenter’s HALLOWEEN; you know, the movie that bore the familiar tagline, “The Night He Came Home?” Hmm. As Andy begins to exhibit more overt physical signs of decay, the film takes a drastic turn into the truly macabre, with a final undead look that rivals PLAGUE OF THE ZOMBIES for “Eeriest Zombie Face Ever.” While script writer Alan Ormsby (CHILDREN SHOULDN’T PLAY WITH DEAD THINGS, SHOCK WAVES) also oversaw the makeup effects, he did bring in a young man named Tom Savini to assist, thus launching Savini on a legendary career in horror that would also shape the success of several other films we all know very well indeed. And if you want an amusing non-horror link, Andy’s mailman says “I’ll just be double dog damned,” a phrase we all know well from annual marathon of director Bob Clark’s holiday classic, A CHRISTMAS STORY.

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Clark’s untimely death in 2007 put at least a temporary end to then-developing plans for a remake, but perhaps one day we’ll see a 21st century take on this story. In the meantime, the original is itself timeless in its scathing treatment of the ways in which we callously discard those that gave everything to safeguard our freedom, including an obvious drug addiction metaphor complete with “tripping” sequence. Keep your eyes peeled for Clark and Ormsby in cameos as a cop and a bystander, while CHILDREN SHOULDN’T PLAY WITH DEAD THINGS co-star (and A CHRISTMAS STORY Santa) Jeff Gillen pops up as a bartender.

Everything’s fine, Bob!

If the film’s final moments don’t creep you out completely and fill you with an overwhelming sense of pathos, then you’re one of the walking dead yourself. And whether living, dead, undead, or anything in between, you owe it to yourself to get a copy of this definitive release of DEATHDREAM from Blue Underground, which improves dramatically on their already great previous release, and includes so many satisfying commentaries, interviews, and behind-the-scenes extras that offer a complete retrospective on this too-long-overlooked film.

RATING

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3 Very Merry Horror Movies

It’s that time of year, and everyone is making a list and…oh, you’re heard that one? Well we made a short one and just in time for some timely holiday viewing. No “Top 10” here or even a judgment call on what’s “best” (although we wouldn’t have picked these if we didn’t think they were well worth your time). Let’s just say we recommend that you either check out – or revisit – these merry and macabre Christmas romps, beginning with one of the seminal American slasher films:

 

BLACK CHRISTMAS (1974)

Producer/Director Bob Clark later produced a 2006 remake, but this original featuring Olivia Hussey, Keir Dullea, Margot Kidder, and the always-reliable John Saxon not only contributed to a period of successful Canadian horror production but shaped the slasher genre four years before John Carpenter’s HALLOWEEN even came home, building some of the bridge between the blood-soaked American thrillers and their Italian giallo predecessors. Sorority sisters stalked by a serial killer on Christmas vacation – what can possibly go wrong? Clark would later become inextricably linked with Christmas forever by crafting one of the holiday’s most delightful and oft-repeated (24-hour marathons, no less!) modern movie classics, A CHRISTMAS STORY. Just watch out for maniacal killers, Ralphie, they’ll gouge your eye out!

 

GREMLINS (1984)

Monster movie, comedy, and Christmas adventure: Joe Dante’s multi-genre mash-up is a tour-de-force of (occasionally stomach-turning) practical effects as the Spielbergian (he exec produced) town of Kingston Falls is overrun by lethal little creatures known as “mogwai.” The first is a cuddly critter named Gizmo, but when rules are broken – fans know all three – and Gizmo spawns a gang of now-reptilian gremlins hellbent on causing mayhem, it’s squeaky clean Billy (Zach Galligan) and hot but troubled girlfriend Kate (Phoebe Cates) to the rescue. Also featuring Hoyt Axton and one of Roger Corman and Dante’s stalwart regulars, the inestimable Dick Miller, this was one of the movies that led to the introduction of the PG-13 rating…reason enough to watch!

 

RARE EXPORTS: A CHRISTMAS TALE (2010)

Oh, you better watch out, all right, because Santa isn’t screwing around anymore! We wrap up this list with a movie you might not know – a phenomenal Finnish import expanded from a 2003 short feature that reveals the truth about that right jolly old elf, or at least his dark doppelganger, the creepy Krampus! Reminiscent of a few other sinister takes on Santa Claus, this atmospheric ice-bound tale follows a team of hapless reindeer herders that make the mistake of releasing a malevolent entity from his mountain prison. Remember those nice and naughty lists Santa is always scribbling? Imagine that he spends most of his time focusing on dealing with the naughty, and his methods are medieval and macabre!